The Moon and Sixpence, one of Maugham’s most famous novels, tells a story of a stockbroker Strickland, who gives up his comfortable life in London, chases his dream of arts in Paris and eventually achieves his ideal in Tahiti. During the process of self-realization, he has experienced the following three stages: self-loss, self-exploration and self-realization. Strickland constantly makes free choices to create his own essence, thus adding meaning to his life, which embodies existentialism, a philosophical theory centering on such themes as absurdity, alienation and freedom. This paper attempts to interpret Strickland’s journey of self-realization from the perspective of existentialism: his self-loss in his boring marriage life and empty spiritual world reflects the existentialist view that “the world is absurd; life is painful” and “existence precedes essence”; his self-exploration in alienating himself from others and pursuing his dream reflects “free choice”, “alienation” and “responsibility” of existentialism; his self-realization by reestablishing a harmonious family and accomplishing his final painting not only reflects the “freedom of choice” but also indicates that “existence precedes essence”. This paper also points out that Strickland’s self-realization still has some limitation: even if Strickland finally realizes himself by going through the three periods, he actually fails to obtain true freedom because he has ignored the importance of responsibility.
| Published in | Social Sciences (Volume 11, Issue 5) |
| DOI | 10.11648/j.ss.20221105.18 |
| Page(s) | 321-327 |
| Creative Commons |
This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited. |
| Copyright |
Copyright © The Author(s), 2022. Published by Science Publishing Group |
Existentialism, Absurdity, Alienation, Free Choice, Self-realization
| [1] | Vokhidova, N. The Description of Charles Strickland’s Character in the Novel ‘The Moon and Sixpence’ by William Somerset Maugham [J]. SSRN Electronic Journal, 2013 (11). |
| [2] | Jonathan, W. What Is Existentialism? [J]. Rethinking Existentialism, 2015 (11). |
| [3] | Li Jiang. An Overview of Existentialism [J]. Thinking, 2011 (37). |
| [4] | An Lu. The Exploration of Interpersonal Relationship Between Self and Others in The Moon and Sixpence from the Perspective of Existentialism [D]. Northwest University, 2019. |
| [5] | Sidikovna, I. K. The Problem of Human and Art in the Novel “The Moon and Sixpence” by W. S. Maugham [J]. European Journal of Research and Reflection in Educational Sciences, 2014 (3). |
| [6] | Muraoka, M. A Study in W. S. Maugham’s View on Freedom of Mind for Artists: Especially as Seen in The Moon and Sixpence [J]. Gendai Eibei Bunka, 2017 (20). |
| [7] | Tang Qianyue. An Exploration of the Complexity of Characters inrs in The Moon and Sixpence [J]. JinGu Creative Literature, 2020 (46). |
| [8] | Sun Yajie. An Interpretation of the Relationship Between Characters in The Moon and Sixpence from the Perspective of Existentialism [J]. Northern Literature, 2016 (5). |
| [9] | Chen Ziyun. The Fusion of Spirit and Desire: Strickland’s Self-pursuit in The Moon and Sixpence [J]. Academic Review, 2019 (4). |
| [10] | He Shengli. The Absurdity of the World and the Loneliness of the Individual --- An Analysis of Existential Literary View [J]. Journal of Chengdu Electro-mechanical College, 2006 (4). |
| [11] | Sartre, J. P. Existentialism and Human Emotions [M]. New York: The Wisdom Library, 1957. |
| [12] | Xie Youyi. A Brief Analysis of Sartre --- “Existence Precedes Essence” [J]. Business, 2016 (5). |
| [13] | Heter, T. S. & I. Ebrary. Sartre’s ethics of engagement: authenticity and civic virtue [J]. European Journal of Social Psychology, 2006 (14). |
| [14] | Maugham, W. S. The Moon and Sixpence [M]. London: Vintage, 2008. |
| [15] | Wang Siman. An Interpretation of Strickland’s Journey of Self-realization in The Moon and Sixpence from the Perspective of Existentialism [J]. Youth Literator, 2018 (6). |
| [16] | Zhao Zihan. An Analysis of Existence and Freedom in Sartre’s Existentialism [J]. Modern Society, 2020 (6). |
APA Style
Lei Zhu, Donger Yang. (2022). An Existentialist Interpretation of Strickland’s Journey of Self-realization in The Moon and Sixpence. Social Sciences, 11(5), 321-327. https://doi.org/10.11648/j.ss.20221105.18
ACS Style
Lei Zhu; Donger Yang. An Existentialist Interpretation of Strickland’s Journey of Self-realization in The Moon and Sixpence. Soc. Sci. 2022, 11(5), 321-327. doi: 10.11648/j.ss.20221105.18
@article{10.11648/j.ss.20221105.18,
author = {Lei Zhu and Donger Yang},
title = {An Existentialist Interpretation of Strickland’s Journey of Self-realization in The Moon and Sixpence},
journal = {Social Sciences},
volume = {11},
number = {5},
pages = {321-327},
doi = {10.11648/j.ss.20221105.18},
url = {https://doi.org/10.11648/j.ss.20221105.18},
eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ss.20221105.18},
abstract = {The Moon and Sixpence, one of Maugham’s most famous novels, tells a story of a stockbroker Strickland, who gives up his comfortable life in London, chases his dream of arts in Paris and eventually achieves his ideal in Tahiti. During the process of self-realization, he has experienced the following three stages: self-loss, self-exploration and self-realization. Strickland constantly makes free choices to create his own essence, thus adding meaning to his life, which embodies existentialism, a philosophical theory centering on such themes as absurdity, alienation and freedom. This paper attempts to interpret Strickland’s journey of self-realization from the perspective of existentialism: his self-loss in his boring marriage life and empty spiritual world reflects the existentialist view that “the world is absurd; life is painful” and “existence precedes essence”; his self-exploration in alienating himself from others and pursuing his dream reflects “free choice”, “alienation” and “responsibility” of existentialism; his self-realization by reestablishing a harmonious family and accomplishing his final painting not only reflects the “freedom of choice” but also indicates that “existence precedes essence”. This paper also points out that Strickland’s self-realization still has some limitation: even if Strickland finally realizes himself by going through the three periods, he actually fails to obtain true freedom because he has ignored the importance of responsibility.},
year = {2022}
}
TY - JOUR T1 - An Existentialist Interpretation of Strickland’s Journey of Self-realization in The Moon and Sixpence AU - Lei Zhu AU - Donger Yang Y1 - 2022/09/28 PY - 2022 N1 - https://doi.org/10.11648/j.ss.20221105.18 DO - 10.11648/j.ss.20221105.18 T2 - Social Sciences JF - Social Sciences JO - Social Sciences SP - 321 EP - 327 PB - Science Publishing Group SN - 2326-988X UR - https://doi.org/10.11648/j.ss.20221105.18 AB - The Moon and Sixpence, one of Maugham’s most famous novels, tells a story of a stockbroker Strickland, who gives up his comfortable life in London, chases his dream of arts in Paris and eventually achieves his ideal in Tahiti. During the process of self-realization, he has experienced the following three stages: self-loss, self-exploration and self-realization. Strickland constantly makes free choices to create his own essence, thus adding meaning to his life, which embodies existentialism, a philosophical theory centering on such themes as absurdity, alienation and freedom. This paper attempts to interpret Strickland’s journey of self-realization from the perspective of existentialism: his self-loss in his boring marriage life and empty spiritual world reflects the existentialist view that “the world is absurd; life is painful” and “existence precedes essence”; his self-exploration in alienating himself from others and pursuing his dream reflects “free choice”, “alienation” and “responsibility” of existentialism; his self-realization by reestablishing a harmonious family and accomplishing his final painting not only reflects the “freedom of choice” but also indicates that “existence precedes essence”. This paper also points out that Strickland’s self-realization still has some limitation: even if Strickland finally realizes himself by going through the three periods, he actually fails to obtain true freedom because he has ignored the importance of responsibility. VL - 11 IS - 5 ER -