The Role of the Author's Remarks in the Structure of the Dialogue

Ziyada Bekbergenova

doi:doi:10.11648/j.ijla.20170501.11

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The Role of the Author's Remarks in the Structure of the Dialogue

Ziyada Bekbergenova

Published in International Journal of Literature and Arts (Volume 5, Issue 1)

Received: 23 February 2017 Accepted: 13 March 2017 Published: 29 March 2017

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Abstract

In literary science the term «remark» mainly applies in respect to dramatic work. The immersion of different types of structure of the art speech of the prosaic text leads to his rapprochement with the drama that gives a possibility to equally use the notion of "remark" and to the drama, and to the prosaic work. Despite this, it is impossible to consider the notes function identically in both genres, as in a drama work, the author's remark is given in brackets and usually performs the function of explanations for actions and replicas of the characters, whereas in prosaic work it has a complex manifestation, performing art and aesthetic function elucidation of gesture and facial expressions, actions and deeds, inner feelings, the psychological condition of the characters. In the development of the Karakalpak prose 1980-2010 there has been a deepening of psychologism in transferring events and phenomena of reality that is connected with the desire of domestic writers to penetrate into the hidden corners of the human soul. This fact served as a factor in productive use inherent in mainly dramatic monologues, dialogues, referring to the author's remarks in the structure of prose works. On the basis of scientific-theoretical opinions of studiers of literature, this article explores the problem of artistic and aesthetic features of the author's remarks in the structure of the prosaic works based on examples taken from wide-range novels by T. Kaypbergenovʼs «Apple of the eye», K. Mambetovʼs «Busted people», Sh. Seytovʼs «Khalkabad».

Published in	International Journal of Literature and Arts (Volume 5, Issue 1)
DOI	10.11648/j.ijla.20170501.11
Page(s)	1-6
Creative Commons	This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.
Copyright	Copyright © The Author(s), 2017. Published by Science Publishing Group

Keywords

Karakalpak Literature, Author's Remark, Dialogue, Art Work, Tolepbergen Kayipbergenov, Shawdirbay Seytov, Kamal Mambetov, Novel’s Structure

References

[1]	Ahmetov, Srajatdin and Esenov, Janizaq, and Zharimbetov, Khurbanbay: Russian - Karakalpak dictionary of literary terms. Bilim, Nukus, 1994 (In Karakalpak Lang.).
[2]	Karimov, Hasan: Wing tongue. Sanat, Almaty, 1995 (In Kazakh Lang.).
[3]	Kayipbergenov, Tolepbergen: Apple of the eye. Karakalpakstan, Nukus, 1986 (In Karakalpak Lang.).
[4]	Khotamov, Nariman, and Sarimsoqov, Bahodir: Russian - Uzbek dictionary of literary terms. O’qituvchi, Tashkent, 1983 (In Uzbek Lang.).
[5]	Mambetov, Kamal: Busted people. Karakalpakstan, Nukus, 1988 (In Karakalpak Lang.).
[6]	Odintsov, Victor: About the language of artistic prose. Narrative and dialogue. Nauka, Moscow, 1973 (In Russian).
[7]	Seytov, Shawdirbay: Khalkhabad. Karakalpakstan, Nukus, 1989 (In Karakalpak Lang.).
[8]	Solijonov, Yuldash: Uzbek art speech poetics in the 80-90^th of XXth century. Doctor’s dissertation. Tashkent, 2002 (In Uzbek Lang.).
[9]	Syzdykova, Rabiga: The power of word. Atamura, Almaty, 2005 (In Kazakh Lang.).
[10]	www.gramma.ru: Dictionary of literary terms. (addressed date: 10/26/2013).
[11]	www.dissercat.com: Zorin, Artyom. Poetics of the remarks in Russian dramaturgy of the 18th and 19th centuries. Saratov, 2010 (addressed date: 03/11/2017).

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Ziyada Bekbergenova. (2017). The Role of the Author's Remarks in the Structure of the Dialogue. International Journal of Literature and Arts, 5(1), 1-6. https://doi.org/10.11648/j.ijla.20170501.11

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Ziyada Bekbergenova. The Role of the Author's Remarks in the Structure of the Dialogue. Int. J. Lit. Arts 2017, 5(1), 1-6. doi: 10.11648/j.ijla.20170501.11

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Ziyada Bekbergenova. The Role of the Author's Remarks in the Structure of the Dialogue. Int J Lit Arts. 2017;5(1):1-6. doi: 10.11648/j.ijla.20170501.11

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@article{10.11648/j.ijla.20170501.11,
  author = {Ziyada Bekbergenova},
  title = {The Role of the Author's Remarks in the Structure of the Dialogue},
  journal = {International Journal of Literature and Arts},
  volume = {5},
  number = {1},
  pages = {1-6},
  doi = {10.11648/j.ijla.20170501.11},
  url = {https://doi.org/10.11648/j.ijla.20170501.11},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijla.20170501.11},
  abstract = {In literary science the term «remark» mainly applies in respect to dramatic work. The immersion of different types of structure of the art speech of the prosaic text leads to his rapprochement with the drama that gives a possibility to equally use the notion of "remark" and to the drama, and to the prosaic work. Despite this, it is impossible to consider the notes function identically in both genres, as in a drama work, the author's remark is given in brackets and usually performs the function of explanations for actions and replicas of the characters, whereas in prosaic work it has a complex manifestation, performing art and aesthetic function elucidation of gesture and facial expressions, actions and deeds, inner feelings, the psychological condition of the characters. In the development of the Karakalpak prose 1980-2010 there has been a deepening of psychologism in transferring events and phenomena of reality that is connected with the desire of domestic writers to penetrate into the hidden corners of the human soul. This fact served as a factor in productive use inherent in mainly dramatic monologues, dialogues, referring to the author's remarks in the structure of prose works. On the basis of scientific-theoretical opinions of studiers of literature, this article explores the problem of artistic and aesthetic features of the author's remarks in the structure of the prosaic works based on examples taken from wide-range novels by T. Kaypbergenovʼs «Apple of the eye», K. Mambetovʼs «Busted people», Sh. Seytovʼs «Khalkabad».},
 year = {2017}
}

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TY  - JOUR
T1  - The Role of the Author's Remarks in the Structure of the Dialogue
AU  - Ziyada Bekbergenova
Y1  - 2017/03/29
PY  - 2017
N1  - https://doi.org/10.11648/j.ijla.20170501.11
DO  - 10.11648/j.ijla.20170501.11
T2  - International Journal of Literature and Arts
JF  - International Journal of Literature and Arts
JO  - International Journal of Literature and Arts
SP  - 1
EP  - 6
PB  - Science Publishing Group
SN  - 2331-057X
UR  - https://doi.org/10.11648/j.ijla.20170501.11
AB  - In literary science the term «remark» mainly applies in respect to dramatic work. The immersion of different types of structure of the art speech of the prosaic text leads to his rapprochement with the drama that gives a possibility to equally use the notion of "remark" and to the drama, and to the prosaic work. Despite this, it is impossible to consider the notes function identically in both genres, as in a drama work, the author's remark is given in brackets and usually performs the function of explanations for actions and replicas of the characters, whereas in prosaic work it has a complex manifestation, performing art and aesthetic function elucidation of gesture and facial expressions, actions and deeds, inner feelings, the psychological condition of the characters. In the development of the Karakalpak prose 1980-2010 there has been a deepening of psychologism in transferring events and phenomena of reality that is connected with the desire of domestic writers to penetrate into the hidden corners of the human soul. This fact served as a factor in productive use inherent in mainly dramatic monologues, dialogues, referring to the author's remarks in the structure of prose works. On the basis of scientific-theoretical opinions of studiers of literature, this article explores the problem of artistic and aesthetic features of the author's remarks in the structure of the prosaic works based on examples taken from wide-range novels by T. Kaypbergenovʼs «Apple of the eye», K. Mambetovʼs «Busted people», Sh. Seytovʼs «Khalkabad».
VL  - 5
IS  - 1
ER  -

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Author Information

Ziyada Bekbergenova

Department of the Karakalpak Folklore and Literature, Karakalpak Research Institute of Humanities, Academy of Sciences of the Republic of Uzbekistan, Nukus, Republic of Karakalpakstan, Republic of Uzbekistan

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Ziyada Bekbergenova. (2017). The Role of the Author's Remarks in the Structure of the Dialogue. International Journal of Literature and Arts, 5(1), 1-6. https://doi.org/10.11648/j.ijla.20170501.11

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ACS Style

Ziyada Bekbergenova. The Role of the Author's Remarks in the Structure of the Dialogue. Int. J. Lit. Arts 2017, 5(1), 1-6. doi: 10.11648/j.ijla.20170501.11

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AMA Style

Ziyada Bekbergenova. The Role of the Author's Remarks in the Structure of the Dialogue. Int J Lit Arts. 2017;5(1):1-6. doi: 10.11648/j.ijla.20170501.11

Copy | Download

@article{10.11648/j.ijla.20170501.11,
  author = {Ziyada Bekbergenova},
  title = {The Role of the Author's Remarks in the Structure of the Dialogue},
  journal = {International Journal of Literature and Arts},
  volume = {5},
  number = {1},
  pages = {1-6},
  doi = {10.11648/j.ijla.20170501.11},
  url = {https://doi.org/10.11648/j.ijla.20170501.11},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijla.20170501.11},
  abstract = {In literary science the term «remark» mainly applies in respect to dramatic work. The immersion of different types of structure of the art speech of the prosaic text leads to his rapprochement with the drama that gives a possibility to equally use the notion of "remark" and to the drama, and to the prosaic work. Despite this, it is impossible to consider the notes function identically in both genres, as in a drama work, the author's remark is given in brackets and usually performs the function of explanations for actions and replicas of the characters, whereas in prosaic work it has a complex manifestation, performing art and aesthetic function elucidation of gesture and facial expressions, actions and deeds, inner feelings, the psychological condition of the characters. In the development of the Karakalpak prose 1980-2010 there has been a deepening of psychologism in transferring events and phenomena of reality that is connected with the desire of domestic writers to penetrate into the hidden corners of the human soul. This fact served as a factor in productive use inherent in mainly dramatic monologues, dialogues, referring to the author's remarks in the structure of prose works. On the basis of scientific-theoretical opinions of studiers of literature, this article explores the problem of artistic and aesthetic features of the author's remarks in the structure of the prosaic works based on examples taken from wide-range novels by T. Kaypbergenovʼs «Apple of the eye», K. Mambetovʼs «Busted people», Sh. Seytovʼs «Khalkabad».},
 year = {2017}
}

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TY  - JOUR
T1  - The Role of the Author's Remarks in the Structure of the Dialogue
AU  - Ziyada Bekbergenova
Y1  - 2017/03/29
PY  - 2017
N1  - https://doi.org/10.11648/j.ijla.20170501.11
DO  - 10.11648/j.ijla.20170501.11
T2  - International Journal of Literature and Arts
JF  - International Journal of Literature and Arts
JO  - International Journal of Literature and Arts
SP  - 1
EP  - 6
PB  - Science Publishing Group
SN  - 2331-057X
UR  - https://doi.org/10.11648/j.ijla.20170501.11
AB  - In literary science the term «remark» mainly applies in respect to dramatic work. The immersion of different types of structure of the art speech of the prosaic text leads to his rapprochement with the drama that gives a possibility to equally use the notion of "remark" and to the drama, and to the prosaic work. Despite this, it is impossible to consider the notes function identically in both genres, as in a drama work, the author's remark is given in brackets and usually performs the function of explanations for actions and replicas of the characters, whereas in prosaic work it has a complex manifestation, performing art and aesthetic function elucidation of gesture and facial expressions, actions and deeds, inner feelings, the psychological condition of the characters. In the development of the Karakalpak prose 1980-2010 there has been a deepening of psychologism in transferring events and phenomena of reality that is connected with the desire of domestic writers to penetrate into the hidden corners of the human soul. This fact served as a factor in productive use inherent in mainly dramatic monologues, dialogues, referring to the author's remarks in the structure of prose works. On the basis of scientific-theoretical opinions of studiers of literature, this article explores the problem of artistic and aesthetic features of the author's remarks in the structure of the prosaic works based on examples taken from wide-range novels by T. Kaypbergenovʼs «Apple of the eye», K. Mambetovʼs «Busted people», Sh. Seytovʼs «Khalkabad».
VL  - 5
IS  - 1
ER  -

Copy | Download